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The Lost Key Album

by Rotatonics

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      €12 EUR  or more

     

1.
Pin Penin 01:25
2.
3.
4.
5.
Notturno 01:51
6.
7.
TV-Shop* 00:42
8.
9.
10.
I Clowns 1 01:15
11.
12.
13.
Nowhere* 00:25
14.
I Clowns 2 01:49
15.
16.
17.
18.
19.
20.
I Clowns 3 01:09
21.
Hotel Room* 00:38
22.
Toby Dammit 02:35
23.
The Dream* 00:35
24.
25.
26.
27.
28.
The Beach* 00:30
29.

about

A woman right in the middle of her years, a lost key, a big city.

The more Sylvia walks away from her home to find the 
key,
the more her old life and identity fade into the sound 
of nocturnal
street-scenes. She walks on and on, diving deeper into a world, that becomes more and more surreal ...
With every step the border between her inner and outer worlds, between dreams and reality, between the things she sees with her eyes and things that go on in her head, become increasingly blurred.

Sylvia’s odyssey is accompanied by Nino Rota’s music for Fellini films including 8 1/2, La Dolce Vita and Amarcord, as arranged and interpreted by Rotatonics.

credits

released November 12, 2023

Marie-Elsa Drelon: Piano, CX3 Korg Orgel, Voice
Carsten Wegener: Electric & Lapsteel Guitar, Musical Saw, Banjo, Bass, Percussion & Voice

Guest musicians:

Tom Dajan: Drums
Detlef Pegelow: Percussion
Antoine Elies: Voice

Produced by Rotatonics

Recording & mixing: Carsten Wegener
 at Patsh n Pepper Studio/Berlin Mastering: Perro Peligroso

Athmos & Sounddesign: Carsten Wegener
Cover design & Photography: Detlef Pegelow

All compositions by Nino Rota except
*composed by Rotatonics
° composed by Max Manila
All arrangements by Rotatonics

license

all rights reserved

tags

about

Rotatonics Berlin, Germany

le Plus petit Grande Orchestre from 
Berlin

ROTATONICS arose from the shared passion for the music of Italian composer Nino Rota.
ROTATONICS are the two Berlin-based musicians Marie-Elsa Drelon and Carsten Wegener.
We love strange instruments and their combinations: Piano and lapsteel, organ and musical saw.
Besides film music we also play chanson, tango and classical music.
... more

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